Author: Jamie
I’m a Filipino American blogger, historian, and lazy writer. I enjoy books, video games, anime/manga, and smoking hookah.
What to Read: Women in Horror
With spooky season right around the corner I wanted to take the opportunity to highlight some horror books for you all! The one genre that is the nearest and dearest to my heart has always been horror, and in a genre that is often highlighted as being misogynistic, some of the greatest horror stories of our time were written by women. While I could talk for hours about some of the famous greats like Shirley Jackson and Mary Shelley, I wanted to take the opportunity to highlight some of my favorite recent reads by the women that are writing for today’s readers.
Near the Bone by Christina Henry
Near the Bone has been one of my most recent reads and it cements Christina Henry’s place as an author to watch out for. Most known for her horror and YA dark fantasy retellings of classic fairy tales, Henry has recently been moving steadily more into the horror genre with the releases of Near the Bone and The Ghost Tree. Both books shine a light on the true horrors of being female under the absolute power of men, she doesn’t shy away from shocking violence and grotesque scenes. While I can comfortably recommend both, Near the Bone truly stands out by focusing on two kinds of monsters that lurk in the woods: a supernatural beast and a violent and controlling man. I wasn’t able to put the book down and I feel that it has been one of the scariest books I’ve read in a long while.
The Dangers of Smoking in Bed by Mariana Enríquez
Mariana Enríquez has quickly become one of my absolute favorite horror short fiction writers after I fell in love with Things We Lost in the Fire when it was released in English a few years ago. Since then I have been chomping at the bit for more of her work to finally be translated to the English language, I can’t even begin to describe the sheer joy I felt when I got my hands on The Dangers of Smoking in Bed before release. Enríquez is an Argentinian author and her stories address the socio-political issues of the country with a strong supernatural twist. This book is filled to the brim with dangerous women, from frenzied fan girls to teen witches. I was absolutely shaken by the new collection, I wish I could scream its praises at the top of my lungs.
Certain Dark Things by Silvia Moreno-Garcia
Perhaps one of the buzziest names on this list, Silvia Morena-Garcia has become literature’s new sweetheart after the breakout success of Mexican Gothic last year. The great thing about the increased visibility of an established writer is the large catalog of previous works, as is the case of Certain Dark Things. Originally published in 2016, the book quickly went out of print after the collapse of her previous publisher. This book has recently been republished by Tor Nightfire and I am honestly so happy that this book has been given a second chance because it is simply outstanding. Shaking up traditional vampire folklore with Aztec vampires and others that came from different backgrounds, a dash of noir, and some truly fun characters, this book has shot up to one of my favorite vampire books of all time. I hope that the wave of attention will lift this book up to its rightful place as a classic in the genre.
Lady Bits by Kate Jonez
I am always so happy when I can find a lesser-known author that manages to blow me away. Kate Jonez has been nominated a handful of times for prestigious horror awards yet her work goes under the radar from the greater reading public. Lady Bits is a fantastic short story collection, the very first story starts the book off with a bang and the pace never lets up. I greatly enjoyed almost every story in the collection and found myself delighting in the grisly kills of the dangerous women that lead each story. My favorite stories dive into the southern gothic, from runaway street tramps to the quiet horror of motherhood, Lady Bits is an utter pleasure to read.
Tender Is the Flesh by Agustina Bazterrica
Returning again to outstanding Argentinian writers, my hands down favorite book of 2020 was Tender is the Flesh, a nightmare dystopia about state-sanctioned cannibalism. This book is a stark reminder of the difference between fear and all-out gut-wrenching horror. While the main character of the novel is a grieving father, the female horror in this book is undeniable as the main character is saddled with a prized heffer, a young woman fit for slaughter. This book’s pacing is unrelenting as the reader is given a guided tour of the menagerie of atrocities inflicted on our fellow man in the name of keeping the meat industry alive after a natural disaster makes animal meat inedible. Political, provocative, punchy, Tender is the Flesh will challenge the reader’s morality as well as their stomachs.
Additional Reading
To close out, I wanted to include a few links to some wonderful articles that I enjoyed about women in horror.
Prologue – Gymnopédies –
My Thoughts
Prologue – Gymnopédies – is a surprising little manga collection that I found on a whim while looking for more work by Natsujikei Miyazaki. It is part of a project that seeks to collaborate between manga and music, a novel concept. The music that inspired this collection is Gymnopédies by Erik Satie. Six lesser-known mangakas were asked to create a short one-shot manga that is inspired by the titular track.
Gymnopédies is a soft piano track that to me elicited a dreamy yet somber feeling. I felt that most of the manga fit the theme of the music well, and I enjoyed reading it while listening to the track in the background. Some of the manga didn’t contain a single line of text or dialogue, such as in Gentle Water and A Certain Student Gymnopedies, yet both pieces had some of the greatest impacts on the reading experience.
The art styles varied wildly but each had a degree of charm, I was particularly impressed with the art styles of Yoso Machi and Murai. For a Quiet Night’s Sleep was by far my favorite and it was the most heartfelt of the entire collection. The art was beautiful and the story was really touching. I didn’t care much for Déjà vu nor Slowly, as if in pain, though the latter at least had a little bit of humor.
In all, this was an obscure and charming little collection that makes for a relaxing read that can be completed it one sitting. It is highly recommended to read it while listening to the accompanying track, as it is the way it is intended to be read and it really adds to the reading experience.
Rating:
Love Practice
Warnings: Animal Cruelty
My Thoughts
Well, this was certainly a surprising little manhua that I stumbled on. The premise is simple, a teen girl is in love with a boy but is too shy to confess. It starts off sweet and the art style is dazzlingly cute! Things quickly take a dark turn once she stumbles on a book called Love Practice and begins to prepare herself for the real confession.
I can’t go into too much more without heading into spoiler territory, but this manhua was pretty clever and goes in unexpected directions that I couldn’t have predicted. Even when I thought I knew how things were going to end, my expectations were exceeded. It’s a little silly, the main character gives off yandere vibes and you really have to suspend your belief that the main dude wouldn’t be more terrified of the entire scenario.
It’s short so there is not a whole lot of room for character development or a deeper plot but as a standalone it was just fine. An interesting mix of horror and high school romance that somehow goes horribly right? Either way, it’s worth a read for the wonderful art and for those that enjoy cute stories with spooky themes.
“If you still don’t have enough courage to love, just practice some more.”
Rating:
Peach Girl
Also in this series: Peach Girl: Sae’s Story, Peach Girl NEXT
Also by this author: Pre Mari, Loco Moco, Papillon: Flower & Butterfly
Warnings: Violence, Sexual Assault, Kidnapping, Bullying, Statutory Rape, Abuse
My Thoughts
Peach Girl is a nostalgic series for me, it is one of the first shojo series that I really got hooked onto. I loved the bold art style and the characters, the romance, the drama. I really related a lot to Momo, an outgoing but insecure girl that worries about her tanned skin and struggles with a manipulative and jealous friend, Sae.
This manga struck a chord with me particularly because of the duality between Momo and Sae. I knew a girl that was a lot like her when I was growing up, she always seemed to be changing to fit around other people. Every girl in our friend group came to resent her because she always found a way to get her hooks into other people’s crushes, boyfriends, and later in life a husband, and usually threw all of those boys away after causing a break-up. I never understood that girl, what motivated her, and what she really got out of these things. This was what made Peach Girl so memorable to me, it perfectly encapsulated a part of my life and it reminded me so much of that time.
Going back to this series as an adult, however, I found myself feeling really conflicted about this series. The story starts off strong, it’s so easy to cheer for Momo with an antagonist like Sae. The romance was believable and sincere, and despite some ups and downs everything felt contained. By the fifth volume, however, things started to go downhill and fast. The drama spirals so drastically out of control, and sexual assault is used as a plot point, and again as a scheme for revenge. It was never treated with any real care and it is gut-wrenching that it was used flippantly for a dramatic story arc. There are other very huge problems later on in the series with plot points that are hideously inappropriate. It left a bad taste in my mouth, but I tried to look past this as being a story of its time.
Even putting that all aside, characters seemed to change their minds so quickly and everything always felt so melodramatic and blown out of proportion. Momo finds herself in a love triangle with two equally wonderful and toxic boys and was hurt over and over again. After eighteen volumes, it frankly became exhausting. The indecisiveness of the characters becomes so frustrating, and I stopped caring about any of the characters.
It is the type of pop drama that was popular when I was a teenager, and it’s amazing that there is both a spin-off and a sequel because it all feels like a never-ending empty trashy drama. I wanted so much to love this series, and for it to be one of my all-time favorites, but I just can’t get past the problematic content to love this series, it just carried on for far too long and went way too far.
“I can’t hold your heart prisoner. And people’s feelings change with time. If your heart isn’t really with me, I don’t want you to feel guilty about it.”
Rating:
Loco Moco
Also by this author: Pre Mari, Peach Girl, Papillon: Flower & Butterfly
My Thoughts
Love confessions are one of those things from my youth that I honestly miss. Confessing to the person that you have a crush on is nerve-wracking, and when looking back there are often so many missed opportunities. I remember the crushing feeling the first time I found out that a high school crush that I had been nursing for months ended up becoming a friend’s boyfriend. This happened a few times, I never felt sour about it but shrugged it off that I was just too slow to act on those feelings.
This feeling of being too slow forms the basis of Loco Moco. Hiroko feels that she has to keep up with her childhood friend, Tomoko, who seems to have a new boyfriend all the time, so she plays along and brags about having boyfriends as well. When Hiroko finally gathers up the courage to confess to her crush, however, she finds out that her crush is her friend’s new boyfriend.
“Roko-chan, have you tried getting confessed to?”
Loco Moco is a short and sweet series about this predicament, about missed opportunities and trying to cope with a crush that has now become unattainable. While Takeru also has a mild interest in Hiroko, it’s understandable that he dates that cute girl that confesses to him. While the drama between Hiroko and Tomoko could at times be petty, it is understandable when they both realize that the other is a romantic rival.
While Roko and Tomo butt heads at times, their friendship remains intact, and they choose to do what’s best for their friend which made me happy to see a good female friendship take precedence over one’s romantic feelings. There are a few character traits that seem to reappear in all of Ueda’s series, namely the protagonist having a complex about being misunderstood for a physical trait and having a jealous best friend.
I’m glad that I didn’t give up on Ueda’s work, I love her art and characters, but I honestly got mad with the last two Ueda works that I had read. Compared to other works by Miwa Ueda, Loco Moco is relatively tame which I feel made it better. It’s an underrated gem that tackles the drama that comes with crushing on a friend’s boyfriend with relative maturity.
Rating:
